Document has always aimed to be a platform for refugees and those in the asylum system, and it remains one of the most pertinent issues we address today. The reaction of the mainstream media continues to shock in its representation of ‘the refugee’. At best, we see human beings reduced to symbols, evidence of the contemporary world’s perversions; at worst they are an object of suspicion, bigotry and spite.
This year’s filmmakers give three dimensions to individuals forced to face the most difficult situations, stripped of their dignity, identity and autonomy.
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