Our 2019 artist-in-focus is Ana Vaz, an artist and filmmaker whose films, installations and performances speculate upon the relationships between myth & history, self and other through a cosmology of references and perspectives. Assemblages of found and shot materials, her films combine ethnography and speculation – exploring the f(r)ictions imprinted upon ‘cultivated’ & ‘savage’ environments.
Ana joins us at the festival to present a special reading/screening around her upcoming debut feature film, The Voyage Out.
The Voyage Out takes the toxic disaster in Fukushima as a synecdoche of the impending ecological disaster and the possibility of renewal. It presents an exhibition as an account: an ethnography of the future, an ethnography otherwise. Two years after the toxic disaster in Fukushima, a new island has emerged in the Ogasawara archipelago, in the far south of Japan. The Voyage Out stages, in a dreamlike and experimental form, the sensitive imaginary of these two places, and the way in which they compose a world crossed by the spectre of destruction and renewal.
Supported by Scottish Documentary Institute.
Arrows, Gazes, Points of Intensity: The Films Of Ana Vaz screens Saturday, 5:45pm