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	<title>Uninhabitable Earth: Spectres of Destruction and Renewal Archives - Document Film Festival</title>
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		<title>Honeyland</title>
		<link>http://www.documentfilmfestival.org/films/honeyland/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=honeyland</link>
		
		<dc:creator><![CDATA[Lewis Camley]]></dc:creator>
		<pubDate>Thu, 03 Oct 2019 08:53:50 +0000</pubDate>
				<guid isPermaLink="false">http://www.documentfilmfestival.org/?post_type=films&#038;p=1256</guid>

					<description><![CDATA[<p>Nestled in an isolated mountain region deep within the Balkans, Hatidze Muratova lives with her ailing mother in a village without roads, electricity or running water. She’s the last in a long line of wild beekeepers, eking out a living farming honey in small batches to be sold in the closest city – a mere<a class="excerpt-read-more" href="http://www.documentfilmfestival.org/films/honeyland/" title="ReadHoneyland">... Read more &#187;</a></p>
<p>The post <a href="http://www.documentfilmfestival.org/films/honeyland/">Honeyland</a> appeared first on <a href="http://www.documentfilmfestival.org">Document Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Nestled in an isolated mountain region deep within the Balkans, Hatidze Muratova lives with her ailing mother in a village without roads, electricity or running water. She’s the last in a long line of wild beekeepers, eking out a living farming honey in small batches to be sold in the closest city – a mere four hours&#8217; walk away. Hatidze’s peaceful existence is thrown into upheaval by the arrival of an itinerant family, with their roaring engines, seven rambunctious children and herd of cattle. Hatidze optimistically meets the promise of change with an open heart, it doesn’t take long however, before a conflict evolves that exposes the fundamental tension between nature and humanity, harmony and discord, exploitation and sustainability.</p>
<p>Followed by a conversation hosted by Femspectives.</p>
<p>&#8212;</p>
<p>Co-presented by Femspectives</p>
<p>Supported by Oxfam</p>
<p>The post <a href="http://www.documentfilmfestival.org/films/honeyland/">Honeyland</a> appeared first on <a href="http://www.documentfilmfestival.org">Document Film Festival</a>.</p>
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		<title>Kime Ani (audio documentary)</title>
		<link>http://www.documentfilmfestival.org/films/kime-ani/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=kime-ani</link>
		
		<dc:creator><![CDATA[Lewis Camley]]></dc:creator>
		<pubDate>Thu, 03 Oct 2019 08:53:46 +0000</pubDate>
				<guid isPermaLink="false">http://www.documentfilmfestival.org/?post_type=films&#038;p=1274</guid>

					<description><![CDATA[<p>Thursday 24 &#8211; Sunday 27 October All Day Unticketed Kime Ani, in the Tahltan language, means &#8216;home coming&#8217; or &#8216;let&#8217;s go home&#8217;. It is a seven-part electronic work, sampling audio from recordings of three generations of artist Edzi&#8217;u&#8217;s matriarchs and grandmothers&#8217; stories, recorded as early as 2017 and as late as 30 years ago. Edzi&#8217;u&#8217;s<a class="excerpt-read-more" href="http://www.documentfilmfestival.org/films/kime-ani/" title="ReadKime Ani (audio documentary)">... Read more &#187;</a></p>
<p>The post <a href="http://www.documentfilmfestival.org/films/kime-ani/">Kime Ani (audio documentary)</a> appeared first on <a href="http://www.documentfilmfestival.org">Document Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>Thursday 24 &#8211; Sunday 27 October</strong><br />
<strong>All Day</strong><br />
<strong>Unticketed</strong></p>
<p>Kime Ani, in the Tahltan language, means &#8216;home coming&#8217; or &#8216;let&#8217;s go home&#8217;. It is a seven-part electronic work, sampling audio from recordings of three generations of artist Edzi&#8217;u&#8217;s matriarchs and grandmothers&#8217; stories, recorded as early as 2017 and as late as 30 years ago. Edzi&#8217;u&#8217;s songs are vessels of history, tradition, and adaptation; a record of Indigenous experience through a contemporary Indigenous lens.</p>
<p>Edzi’u is a mixed race Tahltan and inland Tlingit artist, songwriter and composer. Her songs are an incarnation of her family’s ancient tradition of storytelling, realized by designing sound through vintage and current audio recordings, electronic instruments and the voice.</p>
<p><i>Kime Ani</i> will be free to listen to throughout the festival weekend at sound stations.</p>
<p>The post <a href="http://www.documentfilmfestival.org/films/kime-ani/">Kime Ani (audio documentary)</a> appeared first on <a href="http://www.documentfilmfestival.org">Document Film Festival</a>.</p>
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		<title>Mothers of the Land &#038; Mass Seed Deposit with Glasgow Seed Library</title>
		<link>http://www.documentfilmfestival.org/films/mothers-of-the-land-mass-seed-deposit-with-glasgow-seed-library/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mothers-of-the-land-mass-seed-deposit-with-glasgow-seed-library</link>
		
		<dc:creator><![CDATA[Lewis Camley]]></dc:creator>
		<pubDate>Thu, 03 Oct 2019 08:53:35 +0000</pubDate>
				<guid isPermaLink="false">http://www.documentfilmfestival.org/?post_type=films&#038;p=1255</guid>

					<description><![CDATA[<p>Mothers of the Land is an indigenous made film accompanying five women from the Andean highlands of Peru in their daily struggle to maintain a traditional and organic way of working the land. Peru is predicted to be among the three countries most affected by climate change. Farmers in the region use both traditional and<a class="excerpt-read-more" href="http://www.documentfilmfestival.org/films/mothers-of-the-land-mass-seed-deposit-with-glasgow-seed-library/" title="ReadMothers of the Land &#038; Mass Seed Deposit with Glasgow Seed Library">... Read more &#187;</a></p>
<p>The post <a href="http://www.documentfilmfestival.org/films/mothers-of-the-land-mass-seed-deposit-with-glasgow-seed-library/">Mothers of the Land &#038; Mass Seed Deposit with Glasgow Seed Library</a> appeared first on <a href="http://www.documentfilmfestival.org">Document Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Mothers of the Land is an indigenous made film accompanying five women from the Andean highlands of Peru in their daily struggle to maintain a traditional and organic way of working the land.</p>
<p>Peru is predicted to be among the three countries most affected by climate change. Farmers in the region use both traditional and modern agricultural techniques to maximize clean energy and combat extreme changes in weather.</p>
<p>Followed by a workshop with Glasgow Seed Library. Bring your saved seeds for a Mass Seed Deposit, hear from people passionate about seed saving and pick up some skills and techniques. We invite everyone interested in resilience and food sovereignty to get involved.</p>
<p><strong>UK PREMIERE</strong></p>
<p><strong>This screening will be captioned for D/deaf and Hard of Hearing audiences.</strong><br />
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI.</p>
<p>&#8212;</p>
<p>Glasgow Seed Library is a collaborative project, instigated by <a href="https://glasgowfood.net/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://glasgowfood.net/&amp;source=gmail&amp;ust=1570099025803000&amp;usg=AFQjCNF4K8cDtDGXEnpexTLR4Y7LWDLUJw">Glasgow Community Food Network</a> (GCFN) and the <a href="https://www.cca-glasgow.com/programme" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.cca-glasgow.com/programme&amp;source=gmail&amp;ust=1570099025804000&amp;usg=AFQjCNHJqZtIJKP-AN5KTW0_Ww1NX_WrCA">Centre for Contemporary Arts Glasgow</a> (CCA). It has been supported by the <a href="https://www.seedsovereignty.info/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.seedsovereignty.info/&amp;source=gmail&amp;ust=1570099025804000&amp;usg=AFQjCNEn2o_oO4xvW364x5CyZy91yOnU9g">Gaia Foundation UK Seed Sovereignty Programme</a>.</p>
<p>The post <a href="http://www.documentfilmfestival.org/films/mothers-of-the-land-mass-seed-deposit-with-glasgow-seed-library/">Mothers of the Land &#038; Mass Seed Deposit with Glasgow Seed Library</a> appeared first on <a href="http://www.documentfilmfestival.org">Document Film Festival</a>.</p>
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		<title>Cemetery</title>
		<link>http://www.documentfilmfestival.org/films/cemetery/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=cemetery</link>
		
		<dc:creator><![CDATA[Lewis Camley]]></dc:creator>
		<pubDate>Thu, 03 Oct 2019 08:52:56 +0000</pubDate>
				<guid isPermaLink="false">http://www.documentfilmfestival.org/?post_type=films&#038;p=1268</guid>

					<description><![CDATA[<p>Carlos Casas&#8217; deeply sensory film Cemetery follows an elephant, a mahout and the poachers in their pursuit as they move toward the mythical place known as the elephant graveyard. As the journey transitions from the jungle through stages of death, images begin to fall away, opening onto a rich sonic landscape. Ten years in the<a class="excerpt-read-more" href="http://www.documentfilmfestival.org/films/cemetery/" title="ReadCemetery">... Read more &#187;</a></p>
<p>The post <a href="http://www.documentfilmfestival.org/films/cemetery/">Cemetery</a> appeared first on <a href="http://www.documentfilmfestival.org">Document Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Carlos Casas&#8217; deeply sensory film <i>Cemetery </i>follows an elephant, a mahout and the poachers in their pursuit as they move toward the mythical place known as the elephant graveyard. As the journey transitions from the jungle through stages of death, images begin to fall away, opening onto a rich sonic landscape.</p>
<p>Ten years in the making, <i>Cemetery</i> weaves together field recordings from around the globe. Finding a striking juncture between nature documentary, experimental film, road movie and soundscape, the film opens up questions about life cycles and memory, colonialism and extinction, conservation and the environment and interspecies relationships.</p>
<p><b>SCOTTISH PREMIERE</b></p>
<p>The post <a href="http://www.documentfilmfestival.org/films/cemetery/">Cemetery</a> appeared first on <a href="http://www.documentfilmfestival.org">Document Film Festival</a>.</p>
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		<title>Ana Vaz: The Voyage Out</title>
		<link>http://www.documentfilmfestival.org/films/ana-vaz-the-voyage-out/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ana-vaz-the-voyage-out</link>
		
		<dc:creator><![CDATA[Lewis Camley]]></dc:creator>
		<pubDate>Thu, 03 Oct 2019 08:51:09 +0000</pubDate>
				<guid isPermaLink="false">http://www.documentfilmfestival.org/?post_type=films&#038;p=1278</guid>

					<description><![CDATA[<p>Our 2019 artist-in-focus is Ana Vaz, an artist and filmmaker whose films, installations and performances speculate upon the relationships between myth &#38; history, self and other through a cosmology of references and perspectives. Assemblages of found and shot materials, her films combine ethnography and speculation &#8211; exploring the f(r)ictions imprinted upon ‘cultivated’ &#38; ‘savage’ environments.<a class="excerpt-read-more" href="http://www.documentfilmfestival.org/films/ana-vaz-the-voyage-out/" title="ReadAna Vaz: The Voyage Out">... Read more &#187;</a></p>
<p>The post <a href="http://www.documentfilmfestival.org/films/ana-vaz-the-voyage-out/">Ana Vaz: The Voyage Out</a> appeared first on <a href="http://www.documentfilmfestival.org">Document Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Our 2019 artist-in-focus is Ana Vaz, an artist and filmmaker whose films, installations and performances speculate upon the relationships between myth &amp; history, self and other through a cosmology of references and perspectives. Assemblages of found and shot materials, her films combine ethnography and speculation &#8211; exploring the f(r)ictions imprinted upon ‘cultivated’ &amp; ‘savage’ environments.</em></p>
<p>Ana joins us at the festival to present a special reading/screening around her upcoming debut feature film, The Voyage Out.</p>
<p>The Voyage Out takes the toxic disaster in Fukushima as a synecdoche of the impending ecological disaster and the possibility of renewal. It presents an ethnography of the future, an ethnography otherwise. Two years after the toxic disaster in Fukushima, a new island has emerged in the Ogasawara archipelago, in the far south of Japan. The Voyage Out stages, in a dreamlike and experimental form, the sensitive imaginary of these two places, and the way in which they compose a world crossed by the spectre of destruction and renewal.</p>
<p><strong>Followed by a conversation between Ana and Charlotte Ashcroft (Film Hub Scotland) </strong></p>
<p>&#8212;</p>
<p><a href="http://www.documentfilmfestival.org/films/arrows-gazes-points-of-intensity-the-films-of-ana-vaz/">Arrows, Gazes, Points of Intensity: The Films Of Ana Vaz</a> screens Saturday, 5:45pm</p>
<p>The post <a href="http://www.documentfilmfestival.org/films/ana-vaz-the-voyage-out/">Ana Vaz: The Voyage Out</a> appeared first on <a href="http://www.documentfilmfestival.org">Document Film Festival</a>.</p>
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		<title>Arrows, Gazes, Points of Intensity: The Films of Ana Vaz</title>
		<link>http://www.documentfilmfestival.org/films/arrows-gazes-points-of-intensity-the-films-of-ana-vaz/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=arrows-gazes-points-of-intensity-the-films-of-ana-vaz</link>
		
		<dc:creator><![CDATA[Lewis Camley]]></dc:creator>
		<pubDate>Wed, 02 Oct 2019 19:06:32 +0000</pubDate>
				<guid isPermaLink="false">http://www.documentfilmfestival.org/?post_type=films&#038;p=1276</guid>

					<description><![CDATA[<p>Our 2019 artist-in-focus is Ana Vaz, an artist and filmmaker whose films, installations and performances speculate upon the relationships between myth &#38; history, self and other through a cosmology of references and perspectives. Assemblages of found and shot materials, her films combine ethnography and speculation &#8211; exploring the f(r)ictions imprinted upon ‘cultivated’ &#38; ‘savage’ environments.<a class="excerpt-read-more" href="http://www.documentfilmfestival.org/films/arrows-gazes-points-of-intensity-the-films-of-ana-vaz/" title="ReadArrows, Gazes, Points of Intensity: The Films of Ana Vaz">... Read more &#187;</a></p>
<p>The post <a href="http://www.documentfilmfestival.org/films/arrows-gazes-points-of-intensity-the-films-of-ana-vaz/">Arrows, Gazes, Points of Intensity: The Films of Ana Vaz</a> appeared first on <a href="http://www.documentfilmfestival.org">Document Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Our 2019 artist-in-focus is Ana Vaz, an artist and filmmaker whose films, installations and performances speculate upon the relationships between myth &amp; history, self and other through a cosmology of references and perspectives. Assemblages of found and shot materials, her films combine ethnography and speculation &#8211; exploring the f(r)ictions imprinted upon ‘cultivated’ &amp; ‘savage’ environments.</em></p>
<p>This collection of films proposes a critical reflection on the relationship between colonialism, modernity and the impending ecological disaster &#8211; exploring the colonial and post-colonial exchange between Europe and the Americas.</p>
<p>Interrogating the filmmaker’s gaze and relationship to the ‘other’, and through the development of a distinctively “embodied” cinema, Ana&#8217;s films explore complex relationships between environments, territories and hybrid histories, pushing the boundaries of our perception. Associations of images, sounds and texts, her works propose a corporeal and subjective experience of being in the world.</p>
<p>Followed by a conversation between Ana and artist Alexander Storey Gordon.</p>
<p>Curated by LUX Scotland</p>
<p>Part of our <a href="http://www.documentfilmfestival.org/programme/2019-2/?strand=artist-in-focus-ana-vaz&amp;type=all&amp;view=az">Artist in Focus: Ana Vaz</a> series, which also includes a presentation by Ana around her upcoming feature film <a href="http://www.documentfilmfestival.org/films/ana-vaz-the-voyage-out/">The Voyage Out</a>, Sun 3:30pm</p>
<p>The post <a href="http://www.documentfilmfestival.org/films/arrows-gazes-points-of-intensity-the-films-of-ana-vaz/">Arrows, Gazes, Points of Intensity: The Films of Ana Vaz</a> appeared first on <a href="http://www.documentfilmfestival.org">Document Film Festival</a>.</p>
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