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Revenir – Masterclass with David Fedele & Kumut Imesh

Join us for a masterclass with the makers of Revenir, David Fedele and Kumut Imesh on Saturday, 29 August, from 1.30pm BST. Watch the film in full, and for free, below. 

The masterclass will look at the unique and controversial creative collaboration that forms the basis of the film, as well as broader questions about agency, ethics, and representing the migrant experience on film.

We present this masterclass in collaboration with Scottish Refugee Council and Scottish Documentary Institute, and the session will be moderated by SDI Director, Noe Mendelle.

Book a free ticket to join us on Zoom or watch the livestream on Facebook.

Film Synopsis:

Part road-trip, part memoir, part journalistic investigation, Revenir follows Kumut Imesh, a refugee from the Ivory Coast now living in France, as he returns to the African continent and attempts to retrace the same journey that he himself took when forced to flee civil war in his country … But this time with a camera in his hand.

Traveling alone, Kumut will be documenting his own journey; both as the main protagonist in front of the camera, as well as the person behind it, revealing the human struggle for freedom and dignity on one of the most dangerous migratory routes in the world.

A controversial film experiment, a courageous journey and a unique collaboration between filmmaker and refugee; which is not without consequences.’

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Posted: 14 August 2020

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RESCHEDULED: Revenir – Masterclass with David Fedele & Kumut Imesh

Join us for a masterclass with the makers of Revenir, David Fedele and Kumut Imesh on Saturday, 29 August, from 1.30 pm.

The masterclass will look at the unique and controversial creative collaboration that forms the basis of the film, as well as broader questions about agency, ethics, and representing the migrant experience on film.

We present this masterclass in collaboration with Scottish Documentary Institute, and the session will be moderated by SDI Director, Noe Mendelle.

Book a free ticket to join us on Zoom or watch the livestream on Facebook.

Film Synopsis:

Part road-trip, part memoir, part journalistic investigation, Revenir follows Kumut Imesh, a refugee from the Ivory Coast now living in France, as he returns to the African continent and attempts to retrace the same journey that he himself took when forced to flee civil war in his country … But this time with a camera in his hand.

Traveling alone, Kumut will be documenting his own journey; both as the main protagonist in front of the camera, as well as the person behind it, revealing the human struggle for freedom and dignity on one of the most dangerous migratory routes in the world.

A controversial film experiment, a courageous journey and a unique collaboration between filmmaker and refugee; which is not without consequences.’

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Posted: 22 June 2020

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Revenir

Part road-trip, part memoir, part journalistic investigation, Revenir follows Kumut Imesh, a refugee from the Ivory Coast now living in France, as he returns to the African continent and attempts to retrace the same journey that he himself took when forced to flee civil war in his country … But this time with a camera in his hand.

Traveling alone, Kumut will be documenting his own journey; both as the main protagonist in front of the camera, as well as the person behind it, revealing the human struggle for freedom and dignity on one of the most dangerous migratory routes in the world.

A controversial film experiment, a courageous journey and a unique collaboration between filmmaker and refugee; which is not without consequences.’

Watch the film in full:

… and join us at 1:30pm, Sat 27 Jun, for a livestream masterclass with filmmakers David Fedele & Kumut Imesh – moderated by Noe Mendelle, Director of Scottish Documentary Institute.

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Posted: 22 June 2020

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Crypsis

After fleeing for his life, a gay refugee files for asylum in Scotland. Lacking evidence, he decides to photograph himself in the dark techno world of a queer underground scene. Based on accounts of real-life African LGBT refugees and the challenges they face during the asylum process, Crypsis is a raw depiction of a grim reality obscured by vitriolic public debate about refugees and the broken system that surrounds them.

Christopher McGill, the director of the film, is a freelance filmmaker based in Glasgow. Christopher has experience working in television, directing commissioned short films and working within the community as a filmmaker and workshop facilitator. In 2013 Christopher worked as assistant director and producer on the short documentary ‘Untold Story’ which won best factual at the Student Royal Television Society awards.

Siobhan Fahey (Producer) works with communities that are under-represented in the arts especially: women, lesbians, people of colour, wider LGBTQ communities, working class people. She unearths lost histories, and uncover untold stories. She works with academics, artists, writers, theatre creators, filmmakers to use these stories and histories to create accessible culture that takes these stories to a wider audience. In 2018 the film she co-produced MY LONELINESS IS KILLING ME was awarded a BAFTA Scotland (Best Short). She has a feature film REBEL DYKES in post-production.

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If you liked this film and want to support LGBT communities and asylum seekers, consider donating to

LGBT UNITY GLASGOW
Sort Code: 80-20-60
Account Number: 10017368

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Posted: 22 June 2020

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RESCHEDULED: Locked Out | Refuge and Asylum Roundtable Discussion

EVENT RESCHEDULED: New dates announced for our live events! Join us on Friday. 17 July, from 5.30pm for the live event on Zoom and Facebook live.

A roundtable discussion with Scotland-based community organisations and activists, discussing some of the most pressing issues faced by refugees and asylum seekers under lockdown.

We’ll talk particularly about housing, as well as access to healthcare and welfare, and address some of the underlying structural conditions exacerbated by the current situation. We’ll also look to touch on media representation of migration, the ever-present threat from the far-right, and the wider border politics that have shaped migration discourses across Europe.

Register here to join us via Zoom or watch the livestream on Facebook.

Speakers include Pinar Aksu, Ako Zada, Graham O’Neill and Daniel Trilling – and will be moderated by Professor Alison Phipps.

Bios:

Pinar Aksu is an activist and a Development Officer at Maryhill Integration Network, a charity bringing refugee, migrant and local communities together through art, social and educational groups. Pinar has been campaigning to raise awareness of the issue’s asylum seekers and refugees face and is involved with anti-racism movements.

Pinar is also working with Active Inquiry in Edinburgh, creating theatre with and for the community and World Spirit Theatre in Glasgow, creating theatre that explores integration and migration from the perspective of those experiencing it directly, and have performed all over the UK. She is also in the management committee of Right to Remain.

Why Detention Centres Should be Shut Down – Pinar’s blog post for Scottish Refugee Council.

Allow Wealth of Talent Among Refugees and Asylum Seekers Flourish – Pinar’s article from The Scotsman about integration, right to work and right to vote.

Ako Zada is a journalist, activist, and director of Community Infosource, a human rights charity working with community groups in Glasgow. He came to Glasgow seeking refuge from Kurdistan in 2011, and since arriving has been involved in a number of projects: as a researcher and participant in Living Well; being a book in the Human Library Book projects; as a student mentor in City of Glasgow college; involvement in the Curious Project in St Mungo’s Museum, and acting in different performances about refugee life and multiculturalism in Glasgow.

Ako is an active member of the campaign against the eviction of destitute asylum seekers from their accommodation, and is currently a member of SASRA (Scottish Asylum Seekers’ Residents’ Association); the National Union of Journalists; the International Welcome Club and the Scottish Kurdish Society.

Now they speak, you listen – Ako’s recent work cited in a Bella Caledonia article by Jenny Tsilivakou

Daniel Trilling is a journalist, an author, and an educator. He has written extensively about about migration, nationalism and human rights – regularly contributing to the Guardian, The New Statesman and the London Review of Books, as well as being Editor of New Humanist. He also teaches Creative Storytelling – a course on long-form journalism for second-year undergraduates on the BA (Hons) Journalism course at London College of Communication.

Daniel is author of two books; Lights in the Distance: Exile and Refuge at the Borders of Europe (Picador, 2018), based on five years of reporting on refugees in Europe, and Bloody Nasty People: The Rise of Britain’s Far Right (Verso, 2012), which was nominated for the 2013 Orwell Prize.

The mistreatment of Roma and homeless people during COVID-19 lockdownEurozine, May 2020

How the media contributed to the migrant crisis – Guardian Long Read, August 2019

You can read an extract from Lights in the Distance: Exile and Refuge at the Borders of Europe on the GRAMNet blog.

Graham O’Neill works as Policy Officer at the Scottish Refugee Council. His previous experience includes working at the Commission for Racial Equality in London, or the Equality and Human Rights Commission in Scotland, or advocating for effective anti-slavery in Scotland and beyond.

The campaign against the Serco lock-out is in the best internationalist traditions of Glasgow.

Alison Phipps holds the UNESCO Chair in Refugee Integration through Languages and the Arts at the University of Glasgow where she is also Professor of Languages and Intercultural Studies, and Co-Convener of Glasgow Refugee, Asylum and Migration Network (GRAMNET). She is based in School of Education at the University of Glasgow where she teaches refugee studies, critical multilingual studies, religious and spiritual education, anthropology and intercultural education and education for non-violence.

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Posted: 22 June 2020

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We Journey Together

We Journey Together represents the stories of four people going through the asylum process in the
United Kingdom.

This creative short film was co-created with participants from the Govan Community Project, who wanted to dispel the misconceptions and show the reality and obstacles faced by those going through the asylum process in the UK.

Watch the film in full here:

Moya Crowley is the founding member and Director of Plantation Productions, an arts and media charity based in Govan, Glasgow. Moya has over 17 years experience of developing participatory
co-creative media projects with artists, filmmakers and the local community. Moya has a Masters in Creative Media Practice from the University of the West of Scotland and continues to progress her professional development.

Christopher McGill is a freelance Filmmaker and Director based in Glasgow. Chris has over 6 years experience in video production and has worked in the Television industry. In 2010 Christopher graduated with an honours degree in Time Based Art & Digital Filmmaking at Duncan of Jordanstone in Dundee. Since then he has continued to create commissioned short films, documentaries and online content.

Plantation Productions is an arts & media charity, embedded in the Govan community in Glasgow. Plantation manages the Making Art Matter Programme, delivering participatory arts activity and events across the South West of Glasgow. Working in partnership with local services, organisations and community groups the programme engages with vulnerable adults, children & young people to improve opportunities and conditions for people and families who reside in areas of multiple deprivations. The Making Art Matter programme is designed to be inclusive and accessible, using the arts and media as a tool for social and physical regeneration.

Govan Community Project (Scottish Charity No: SC042012) is a community-based organisation working in south west Glasgow. GCP provides direct services such as weekly drop-ins, advice, information and advocacy, cultural events, a community flat, English classes, destitution food project, hate-crime reporting and an interpreting service. In addition the network facilitates forums bringing together public, voluntary and community organisations with local people to help plan public services, promote equal rights and opportunities and cross-cultural understanding, and to build bonds and links within and between communities.

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If you liked this film and want to support these organisations, consider donating to Govan Community Project or to the Covid-19 Refugee Support Fund.

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Posted: 21 June 2020

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The Bird Man of Red Road

The Bird Man of Red Road 

Built in 1967, the Red Road flats in Glasgow were once home to over 4500 people. Now most of the blocks have been emptied and demolition has already begun. Jamal Hamad, a failed Iraqi Kurdish asylum seeker, has lived alone in one block for several months. The demolition company are keen to move on with the demolition preparation but Jamal is refusing to move. If he does move out, he fears eviction from the UK- and if he returns to his homeland, as instructed by the UK Border Agency, he believes he will be killed- just like his parents and brothers several years ago. Living in the block alone is dangerous; but Jamal sees no other choice.

WINNER OF A SRC MEDIA AWARD FOR BROADCAST CATEGORY – 2014

Disappearing Glasgow

Glasgow-based filmmaker and photographer, Chris Leslie, documented the demolition of Glasgow’s high rises in many forms as part of the 8-year multimedia project, Disappearing Glasgow.

The project was prompted, in part, as a response to the Commonwealth games coming to Glasgow in 2014, and the proposed regeneration of the city. It ended up as a passionate, nuanced critique of the drivers of civic regeneration, an archiving of under-represented heritage, and a polyphonic portrait of people and communities dispersed in the wake of urban change.

Further resources:

  • Chris Leslie artist website
  • Disappearing Glasgow project website (photos, film and essays)
  • Illustrated talk by Chris, part of BRUT EUROPE – Exploring the lasting legacy of European Modernist architecture through talks, screenings and workshops.
  • British Council interview with Chris about Disappearing Glasgow
  • Guardian article, ‘Disappearing Glasgow: Documenting the demolition of a cities troubled past’
  • Book review of Disappearing Glasgow in Bella Caledonia

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Posted: 20 June 2020

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Only My Voice

In transit through Athens, four women from the Middle East share their stories. They all left their countries at different times in their life and for different reasons. In this ode to freedom, their stories of up-rootedness will gradually echo each other; resonating, contradicting and interacting with the city of Athens.

Watch in full here:

Myriam Rey won the Inspiration award in 2015 from the Arts and Humanities Research Council film awards in London for her first short documentary called This island’s mine. She then filmed and directed a short film for the Institute of Neuroscience in London funded by the University College London in 2016. Her most recent documentary, Only my voice, was selected for the Bridging the Gap scheme organised by the Scottish Documentary Institute. This film was funded by Creative England and produced by Banyak Films. It premiered at the Edinburgh International Film Festival in June 2017 and won awards at Sunderland International Film Festival and Nova Frontier Film Festival.

Read an interview with the director here.

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If you liked this film and want to support migrant women, consider donating to Women for Refugee Women.

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Posted: 18 June 2020

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DOCMA Workshop + Screening

Workshop: Wed 23 October, 7pm, CCA Clubroom – ticketed
Please note the originally advertised screening has been cancelled. The DOCMA films will now be shown before Ai Weiwei’s The Rest, Sunday 27/10 from 12.45pm

A DOCMA is a 5-minute documentary film made by 5 filmmakers in 5 different documentary styles. It’s a collaborative exercise designed to allow us to make documentaries together and get our creative juices flowing.

The workshop will take place on Wednesday 23 October at 7pm in CCA Clubroom. Teams will be formed, roles allocated and rules explained. You’ll have two days to complete your own bit of documentary magic to be screened to fellow participants and friends on the final day of Document. Completed films will be added to the ever-growing online DOCMA archive. Whether you’re a seasoned filmmaker or just curious to try it out, all you need to participate is access to something to shoot and edit on, no matter how basic. A smartphone will do just fine.

The results will screen on Sunday 27 October at 12.45pm before Ai Weiwei’s The Rest.

Please note: participation in the workshop is ticketed. Audiences curious to see the results can come along to the Sunday screening for free.

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Posted: 3 October 2019

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Honeyland

Nestled in an isolated mountain region deep within the Balkans, Hatidze Muratova lives with her ailing mother in a village without roads, electricity or running water. She’s the last in a long line of wild beekeepers, eking out a living farming honey in small batches to be sold in the closest city – a mere four hours’ walk away. Hatidze’s peaceful existence is thrown into upheaval by the arrival of an itinerant family, with their roaring engines, seven rambunctious children and herd of cattle. Hatidze optimistically meets the promise of change with an open heart, it doesn’t take long however, before a conflict evolves that exposes the fundamental tension between nature and humanity, harmony and discord, exploitation and sustainability.

Followed by a conversation hosted by Femspectives.

Co-presented by Femspectives

Supported by Oxfam

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Posted: 3 October 2019

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